darksilenceinsuburbia:

Kati Horna

Mujer y máscara [Woman with Mask]
Mexico, 1963
Gelatin silver print
25 x 19.7 cm
Archivo Privado de Fotografía y Gráfica Kati y José Horna
© 2005 Ana María Norah Horna y Fernández

Untitled, Carnaval de Huejotzingo, Puebla
1941
Gelatin silver print
19.5 x 21.5 cm
Archivo Privado de Fotografía y Gráfica Kati y José Horna
© 2005 Ana María Norah Horna y Fernández

Untitled
Mexico, 1962
From the Oda a la necrofília series [Ode to Necrophilia]
Gelatin silver print
25.4 x 20.8 cm
Museo Amparo Collection
© 2005 Ana María Norah Horna y Fernández

fernsandmoss:

Brassaï, Fille derrière le rideau,1932

fernsandmoss:

Brassaï, Fille derrière le rideau,1932

broadway-aradia:

i really want to carry a torch in a cave just like one time

(Source: seven-lilies, via riotnexus)

colorblocks:

Rich Black / #004040

colorblocks:

Rich Black / #004040

(via cloud-pleaser)

nevver:

Solstice, Aron Wiesenfeld

(Source: aronwiesenfeld.com)

untrustyou:

Valentin Chenaille

untrustyou:

Valentin Chenaille

ianference:

The library - still surprisingly well-stocked - in North Carolina’s Linden School, by the light of the setting sun.

ianference:

The library - still surprisingly well-stocked - in North Carolina’s Linden School, by the light of the setting sun.

(via abandoned-but-loved)

darksilenceinsuburbia:

Christian Patterson

Redheaded Peckerhood

2005-2011

Redheaded Peckerwood is a work with a tragic underlying narrative – the story of 19-year-old Charles Starkweather and 14-year-old Caril Ann Fugate who murdered ten people, including Fugate’s family, during a three-day killing spree across Nebraska to the point of their capture in Douglas, Wyoming. The images record places and things central to the story, depict ideas inspired by it, and capture other moments and discoveries along the way.

From a technical perspective, the photographs incorporate and reference the techniques of photojournalism, forensic photography, image appropriation, reenactment and documentary landscape photography. On a conceptual level, they deal with a charged landscape and play with a photographic representation and truth as the work deconstructs a pre-existing narrative.

Redheaded Peckerwood also utilizes and plays with a pre-existing archive of material, deliberately mixing fact and fiction, past and present, myth and reality as it presents, expands and re-presents the various facts and theories surrounding this story.

While photographs are the heart of this work, they are the complemented and informed by documents and objects that belonged to the killers and their victims – including a map, poem, confession letter, stuffed animal, hood ornament and various other items, in several cases, these materials are discoveries first made by the artist and presented here for the first time.

In book form, the work is presented as a sort of visual crime dossier, including pieces of paper which are inserted into the book. The many individual pieces included serve as cues and clues within the visual puzzle. In this way, there are connections that are left for the viewer to be made and mysteries that are left to be solved.

Redheaded Peckerwood is Christian Patterson’s second monograph and was awarded the 2012 Arles Rencontres Author Book Award.

eliesvr:

sunlight in the bathroom, spring 2013

eliesvr:

sunlight in the bathroom, spring 2013

(via uncanoonuc)

lilithsplace:

 ’Cornish Landscape with Donkeys’, 1987 - Sylvia Levine (1911 - 1998) 

lilithsplace:

 ’Cornish Landscape with Donkeys’, 1987 - Sylvia Levine (1911 - 1998) 

(via these-summer-nights-in-december)

drydockshop:

Decorating and Home Improvement Guide | Good Housekeeping ©1977

drydockshop:

Decorating and Home Improvement Guide | Good Housekeeping ©1977

darksilenceinsuburbia:

Christina Bothwell

1. World At My Feet

2. Lord Vishnu Riding on Garuda

3. Wheels

4. Force of Nature

(Source: sailormoonscenery, via deepseathoughts)

(Source: cabinhome)

(via gifs-gifs-gifs-gifs-gifs)